Original Fender
will a rear fender from a crf250x fit a xr250r?
im wanting to change the look of the bike cos i hate the original rear fender they look pants
Nope
Fender Factory Tour 1959
|
|
20th Century Masters: Millennium Collection (Jewl) $2.67 The 20th Century Masters series is the best-selling single-artist line in music history and is being re-released by Universal Music Enterprises (UMe) in its ground-breaking, environmentally-friendly packaging format. A first for the music industry, the standard package (both sleeve and tray) will be completely paper-recyclable, continuing the company’s long-standing commitment to being “green.”To … |
|
|
Texas Tornados- Live from Austin, TX $10.27 As the ebullient ringleader of this all-star Lone Star quartet, Doug Sahm tells this 1990 Austin City Limits crowd that “it’s rock and roll conjunto time!” Such a description barely hints at the raucous vitality of the band’s bilingual, Tex-Mex border music. The set (also available on DVD) finds Freddy Fender resurrecting his country smashes “Wasted Days and Wasted Nights” and “Before the Next Tea… |
|
|
Oldies But Goodies, Vol. 2 $5.25 No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 1-JAN-2002… |
|
|
Fender Original Telecaster String Guide Nickel $6.92 Allparts Org Tele String Guide NK… |
|
|
Original Sears Craftsman Husqvarna Part # 170139X505 FENDER.CRD $265.33 Original Sears Craftsman Husqvarna Part # 170139X505 FENDER.CRD… |
|
|
06 Shelby Gth Plastic Model Kit $15.16 VRL1049: The 2006 Shelby GT-H, painted in black and gold, was built to celebrate the 40th anniversary of the original Shelby GT350H. There were only 500 units built, all badged, plaqued and signed by Shelby. Features: -Shelby GT-H. -Special Hertz plaque for the front fender. -Chrome plated parts. -Realistic black vinyl tires. -Shelby Hertz waterslide decals. -Painted in black and gold. -No batteries required. -Keep from small children. -Contains small parts which may be swallowed. -Also includes illustrated assembly instructions. -For ages 10+. -Assembly required. |
|
|
A2 Kick Scooter in Blue $38.95 RZR1084: The A2 Kick Scooter is the second generation of Razor Kick Scooters. Like the original, the A2 is constructed from aircraft-grade aluminum to be both durable and lightweight. This new version has a springless front wheel shock system and wheelie bar for better and meaner tricks. Like all Razor Kick Scooters, the A2 has the official patented rear fender brake and patented folding mechanism. Features: -Scooter in blue -Ideal for ages 6 and up -No assembly required -Springless front wheel shock system -Wheelie bar -Easy to fold and carry -Lightweight at 7 lbs -98mm urethane wheels with ABEC 5 bearings -T-tube and deck constructed of aircraft-grade aluminum -Decorations may vary -Maximum rider weight 120 lbs -Assembled Dimensions: 34 H x 13 W x 26.5 D A2 Kick Scooter Manual |
|
|
AmpliTube Fender? Studio $99.99 AmpliTube Fender SE is a software guitar amp collection with 15 ultra-realistic Fender guitar/bass amp combinations, 4 stompboxes and rack FX, and a built-in tuner. Use SpeedTrainer , the integrated audio player, to adjust the speed and pitch of CDs and MP3’s and learn the licks of your guitar idols! AmpliTube Fender SE works in standalone mode or from inside the included RiffWorks T4 recording software to make recording your guitar easy and fast, and lets you collaborate with other RiffWorks users around the world! Features: compact 1/4? jack to USB audio interface cable high-quality direct Guitar/Bass IN headphone/amp/powered speaker OUT low-latency ASIO and CoreAudio drivers includes AmpliTube Fender SE plug-in and standalone 4 of the most influential guitar amps of all time, 5 original matching cabinets, 2 microphones, 2 signature classic stomp effects, 2 rack effects high-precision tuner. Included software: AmpliTube X-GEAR and RiffWorks T4 recording software. |
|
|
Boss FBM-1 Fender ‘59 Bassman Pedal $119 Fender amps of the 50s and 60s are beloved and coveted by guitarists around the world. Thanks to BOSS technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a pre-gain pedal placed before an already overdriven amp to add the tone character of the Bassman. |
|
|
Carnival with Larry Blackshere & Bernard Primeau concert at Great American Music Hall on 10 Oct 75 $12.98 Though it flew under the radar in the mid ’70s, the local San Francisco modern jazz group Carnival packed a significant punch during its short reign. Co-led by East Bay vibraphonist Larry Blackshere, a member of the psychedelic folk-rock band It’s a Beautiful Day, and Montreal drummer Bernard Primeau, this crackling quartet included alto saxophonist Steve Keller, pianist Brian Cook and bassist Kenneth Jenkins. Their October 10, 1975 engagement at the Great American Music Hall opens on a pensive, probing note with an unnamed original by altoist Keller. Beginning with the plaintive cries from Keller’s horn, the piece gradually builds to a kinetic modal vehicle that sounds jointly inspired by pianist McCoy Tyner and vibist (and San Francisco native) Bobby Hutcherson. Primeau, one of the top drummers on the Canadian scene, immediately shows his high level of proficiency by fueling this track with his adept time-keeping and creative fills. Bassist Jenkins contributes a powerful solo against Primeau’s subtle groove and pianist Brian Cook’s spacious comping while Keller and Blackshere add potent solos of their own to the compelling mix. Jenkins’ funky Latin jazz flavored “Spiderman” has Keller switching to flute and doubling a luminous line with Blackshere’s vibes before breaking free for a soaring solo over the insistent groove. Cook comps effectively on piano behind him, then switches to Fender Rhodes electric piano for a dynamic solo. Bassist Jenkins contributes another fluent, robust-toned solo. Blackshere follows, channeling Cal Tjader with an energized solo over the infectious son montuno section before the piece resolves to a hush. Next up is Jenkins’ melancholy ballad “Mrs. Haskins,” which has Keller summoning up lush alto tones and Blackshere digging deep and delivering a stellar, blues-soaked solo against Cook’s sparse, thoughtful accompaniment. On his remarkably fluent and fertile solo here, Keller demonstrates why he might’ve been considered a talent deserving |
January 26, 2012 7:10 am 
Subscribe